My brothers used to ask our dad to draw stuff to illustrate the stories he would cook up for us kids. He couldn't draw worth a lick but he gave it a shot. My brothers were always impressed, but I would look at the drawings and shake my head, the ol' man would grin and that was that. When I would draw something he would show his poker buddies and generally advertise the productions of his oldest kid. Well he packed it in too, leaving the whole outfit shy of male influence. As luck would have it, my grandmother had a brother. In retrospect my great uncle was prolly a full blown loon, that no responsible parent now would let a kid anywhere near. But times were different and I was shipped off to see visit the iconoclastic recluse (that may be redundant, but you get the idea) for weeks at a time during the summer. I would be about ten and his shack was in the interior and it was hot and magical and I learned a lot of stuff that I maybe shouldn't have.
I called him, "Gunk"..a contraction of great uncle. Thing is, the ol boy was sort of a patron of the arts and a polymath and encouraged me to draw and paint. He was an incurable contrarian and encouraged me to question everything as a matter of principle. He had (wait for it, you can see it coming) wrecked cars and junk and told me what they were and how they got to his yard. I loved the idea of the junkers and the designs, colours and history...I was hooked.Gunk sent me supplies, books and encouragement until he joined the rest of the crowd up above (I hope). He lived to see my first big junkyard painting and was over the moon about the whole production, somebody else saw what he saw...beautiful junk.
Gunk's real name was Ian Marshall Beaton. An appropriate name for a natural "bad attituder" who didn't see any real future for mankind, yet whose bright light shone on his grand nephew (or whatever I was).
14 comments:
There is a gentleness to this one Ron. You have minimalized your brushwork, and let the colour and larger areas speak for themselves.
Good work amigo.
Thanks, Win, yes I was concentrating on light play and shape linking, patterns...just doodling trying to reduce and expand at the same time...
There is definatley another transformation in these last 2 paintings...very curious...the evolution. I like it!
Ron this just glows I think this is my new favorite!
Bravo to your great work with these cars and light! Love it...
Thanks, Pamela, I have two or three "styles" and depending on "whatever" (caffeine...)what hits the paper hits the paper. But I think this is the direction I seem to be going in.
Thanks, Krista, just exploring...its on the back of something...
Thanks,Nureeya, glad you like it....
I haven't heard the wisdom of I.M. Beaton, but he already sounds like a defeatist...
Grimm, there's atory that I didn't post but you got it...pessimist, defeatist is better.
I haven't been on WC much lately so I must have missed these last two paintings. Are you doing pours these now? These last two paintings sure look like it. Anyhoo, I like what I see!
Thanks, Billie, no, I never pour anything...these are in fact painted way drier than my usual wet on wet program. I seem to be using less water than I used to, at least I think I am....but still wet I guess...
Ron, amazing story to accompany the work! I like how you begin the story with a confusion about deathisms, then proceed to throw in your own.
I liked how Nick Cave put it (talking about being executed),
"Into the mercy seat I climb
My head is shaved, my head is wired
And like a moth that tries
To enter the bright eye
I go shuffling out of life
Just to hide in death awhile
And anyway I never lied."
Thanks, Grimm, fun with the geneology...
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